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The Simone Set | attaching the straps

The one place that needs a little attention when making the Simone Camisole is the straps – a little attention to detail here can help to make your garment look really professional.

We’ve done this photo tutorial to give you an extra helping hand. So, are you ready to get a lovely finish to those Simone Camisole straps? 

Jolly good! Read on…

  • So at this point in camisole construction process you will have followed the instructions and completed step 5 in your Maker Instruction booklet, so your bodice and facing will be made up but still separate.
  • You will have made and turned through your straps. Rouleaux straps – completed steps 6 & 7 in your Maker Instruction booklet. Wide strap option – completed steps 11 & 12 in your Maker Instruction booklet.
  • Do make sure you give everything a gentle press before continuing!

ABBREVIATIONS | CB: centre back | CF: centre front | WS: wrong side  | RST: right side together | RS: right side | SA: seam allowance


The strap pattern is a little bit longer than you really need. This in part because when the straps get turned through the ends can sometimes be untidy and look a bit ‘chewed’ up, but mostly because we are all unique so you may actually need your straps a little longer. Before cutting off any of the extra length, do a quick fitting so you can find your ideal strap length. 

  • Use the finished strap measurement charts in the instructions booklet (you will find one for each strap option) as a guide to give you a starting point.
  • The charts show the suggested FINISHED strap length WITHOUT seam allowances (SA).
  • NOTE | The double rouleaux strap option – the inner strap (STRAP A) will be placed closest to the centre front and is longer than outer strap (STRAP B).
  • Mark the finished length on your strap, don’t worry about the seam allowance for a moment, with chalk or a fabric marking pen.
  • Don’t cut the straps, keep the extra length so we can adjust if needed.
  • Pin or tack them into place. The straps can just be placed in position on top of the camisole, as in the photo above, making it easy to adjust the length.
  • Make sure the finished strap length marks you made are placed on the stitchline of the camisole, where they will eventually be permanently stitched.
  • See further along in the tutorial if you need help knowing where to position the straps. 
  • Try on your camisole and adjust the length of the straps to suit you.
  • To adjust the strap length pin the excess into a ‘tuck’, or shorten or lengthen by re-pinning at the front.
  • In this example I have pinned a ‘tuck’ that is 2cm deep in total when I measured it, so I will reduce my overall final strap length by 2cm.

In the picture above I have pinned the strap and the seam is showing, so that will be the WRONG SIDE of the strap. It really doesn’t matter at this stage for a fitting, but it is something to be aware of when you are attaching your straps later and you can make sure the seam is out of sight on the underside of the strap.


  • Check you are happy with how high/low your camisole is sitting.
  • Are the straps sitting comfortably on your shoulder without falling off?
  • Is it hanging straight at the side seams?
  • Does the hem look level?
  • You may find, for you, that each strap needs to be a slightly different length. That’s OK, we are all a little asymmetrical.
  • You can move the position of the straps at the back to suit you or to help hide a bra strap.
  • TIP |  Make a note of your ideal strap length and position. Amend your pattern so you are good to go for any future makes.


Hurrah, you now have a finished strap length!  The photos show both the strap options but you’ll obviously be making one or the other.

  • Add the seam allowances. Add 1cm to the front strap and 2cm at the other end for the back of the strap.

  • Cut off the excess strap

TIP | “Why do the straps have a 2cm SA at the back?” I hear you ask. 2 reasons – It’s for extra strength & stability, so the straps don’t pop out after a few months of constant washing and wearing. Trust me when I tell you that is a very annoying repair to do. And I like a back up plan. It’ll give you an extra bit of length in reserve should you decide “Oh, I wish I’d made these straps a little bit longer”. You can always trim the SA a bit more if you want to…but you cannot add it back on!


The camisole has a 6mm SA on the neckline and armhole and back edge and 1cm on the camisole ‘peak’ to attach the front strap. A 6mm SA is standard in industry for any enclosed seam as it turns better and negates the need to clip and trim the seam allowance. I’ve drawn in the SA/stitchlines with black pen for illustrative purposes.

BACK NOTCHES | The actual construction method is the same for both strap options, it’s just the back strap placement that changes. The strap placement is marked clearly on your pattern for each strap option so you can just clip the relevant notch. Should you happen to notch them all by mistake, as I have for this tutorial, don’t worry you can just ignore the ‘wrong’ ones for your strap option. I’ve marked the back notches for the wide strap in orange pen and the rouleaux strap notches in green pen so you can see which ones I’ve used and ignored.


WIDE STRAPS – attach at front |

  • Place the strap to front camisole with RST (right sides together).  
  • Align the top of the strap with the top edge of the camisole. 
  • Staystitch in SA to hold strap in place.
  • Repeat for the other strap.

WIDE STRAPS – attach at back |

  • With RST place the other end of the strap between the 2 notches on the back camisole. 
  • Align finished strap length on the stitchline of the back camisole. The 2cm SA extends beyond the camisole body.
  • Make sure the strap is not twisted before staystitching in the SA of camisole to hold straps in place.
  • Repeat for the other strap.
  • TRY ON! Now is a good time to try on your camisole just to check you are happy with the strap length and position.


DOUBLE ROULEAUX STRAPS – attach at the front |

  • Place the straps to front camisole with RST (right sides together). Make sure the longer of the 2 straps (STRAP A – the red print) is closest to the centre front and the shorter (STRAP B the mustard print) is towards the side seam.
  • Butt the straps right next to each other so there isn’t a gap. (Unless you want a gap of course!)
  • There may be some variance in the thickness of rouleaux straps as different fabrics may give slightly different results, but just centralise your straps and align the top of the straps with the top edge of the camisole. 
  • Staystitch in SA to hold strap in place.
  • Repeat for the other side.         

 DOUBLE ROULEAUX STRAPS – attach at the back |

STRAP A – (the red print)

  • With RST, place the other end of strap A to the back camisole body.
  • Place strap centrally over the notch (notch closest to the CB) and with the finished strap length on the camisole stitchline.
  • The SA extends beyond the camisole body.

STRAP B (the mustard print)

  • With RST, place the other end of strap B to the back camisole body, but place centrally over the notch closest to the side seam
  • Make sure the straps are not twisted before staystitching in the SA of camisole to hold straps in place.
  • Repeat for the other set of straps.
  • TRY ON! Now is a good time to try on your camisole just to check you are happy with the strap length and position.

| ATTACH THE FACING – FOR ALL VERSIONS (but illustrated on the wide strap version) |

  • Turn camisole body so RIGHT SIDE is facing out and turn the facing so WRONG SIDE is facing out.
  • With RST slide the camisole inside the facing. 

  • Align the neckline, armhole and back edges, matching notches and side seams and pin.
  • Make sure that straps are hanging straight down and not caught in the facing edge. The straps will be sitting between the body and the facing.
  • Anchor straps firmly in place by stitching straight across at the ‘peak’ at the notches and through all layers.

On this stitchline, mark the outside edges of the straps with chalk or fabric marker pen, it should be something that won’t leave a permanent mark.

  • Attach the facing to the body at the neckline, armhole and back with a 6mm SA. It’s important that you stitch through the intersect point you marked earlier (at the edge of the strap) to avoid a step on your finished camisole.
  • If necessary, adjust your line of stitching by taking more or less SA. I’ve drawn the original SA in black pen but I’ve adjusted my stitchline to make sure I stitch through the intersect point.
  • Press the stitchline to set the stitches and trim SA to reduce bulk.
  • Turn through to RS and check you are happy with the straps!

So why am I being so pedantic about stitching to those intersect points?

Because I want to show you how to make a garment that you can wear and be proud of.  The straps are one area where a little bit of knowledge and extra care will make all the difference to the finished result. Does this mean that it has to be perfect. No. This isn’t couture. The aim is just for you to be happy with it. So let me show you what we are trying to avoid…

  • Stitching too wide and missing the intersect point = “steps” either side of the strap

  • Stitching to the inside of the intersect points = the strap doesn’t turn through to the right side properly and will reduce in the length slightly because it’s caught at the point where you have stitched over it.


To make the facing seam roll to the inside of the camisole the next step is to understitch.

  • Turn camisole to RS and pull the facing out so it is extended away from body.
  • RSU understitch through the facing and SA layers. (You may find it easier to press the SA towards the facing before understitching, but it can be done without).
  • Stitch as far as you can up to the front strap peak area, you will only be able to go so far because of your sewing machine foot.
  • Turn facing to the inside of the camisole.
  • Carefully press along the edge with the seam rolled very slightly to the inside of the camisole so it is not visible on the RS .
  • And finally STITCH IN THE DITCH of the side seam to attach the facing and body together (see step 19 in your Maker Instruction booklet).

How delightful and well done! You have made a wonderful job of those straps!





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Creating Panels in the French Dart | by Jen Hogg – part 2

PAID POST | This article was  written by Jen Hogg after I saw her French Dart Hack on Instagram. I have paid Jen for her time, skills and effort, but all opinions are her own.

This part 2 of Jen Hogg’s panelled French Dart Hack!

I think we are all being about more thoughtful about our makes with a view towards sustainability and being more purposeful with our sewing. And the great thing about the panelling hack is it’s an excellent way to use up those smaller, left-over pieces of cloth. Think creatively and you can create something truly unique. If you are looking for a little inspiration take a look at the SewOver50 Instagram page for their March challenge and the hashtag #so50PatternMixing.

Over to Jen!

Version 5 | cashmere surplus, in panels and patchwork

The method I used to hack the Nani Iro version also works really well with surplus. I use a lot of cashmere surplus, and the pieces I get are usually small or an odd shape. I’m working on another French Dart dress using different patterns in the panels.

Here it is as a work in progress. I’ve added red bias between the panels, to add a bit of cohesion overall but handily it also shows where the panels of my hack are. It’s the same hack as the Nani Iro version, only I missed out the pockets on the front because the cashmere is too soft to cope with them.

In this version, though, my centre panel is also made up of two different fabrics. This time I joined the fabric pieces together before I cut out the pattern shape. Basically you make a patchwork of fabric first, then cut out the dress pattern as usual. There’s less control over how the fabrics are joined together this way, but that suited me for this panel.

In these photos you can see the red bias which delineates the separate “Nani Iro” panels.

But look at the fabric to the right of the red tape, that’s made up of two pieces of scarf surplus, a paler fabric right beside the tape overlaid with the blue / red fringed fabric. I stitched them together with 2 lines of stitching (yellow lines). Then the fringe on the blue / red fabric was sewn down to add some texture (green lines). It felt like a shame to cut it off and I’m toying with the idea of keeping some fringing at the sleeve cuffs, though I might change my mind!

When it’s finished I’ll share this dress on Instagram, under my own name @jenerates but also to join in with the @sewover50 challenge #so50patternmixing.

UPDATE: Jen has kindly shared her finished pictures with us!

Thanks Jen! What a wonderful & inspiring way to use up surplus fabric! The first part of this tutorial with the details for the pattern hack can be found HERE.


We would love to see your French Darts! Old or new, share (or re-share!) them with us on Instagram Remember to tag us @MavenPatterns #FrenchDartMaven

All photos by Jen Hogg 

Jen Hogg lives in Glasgow with her husband and dog, and has two children at university. She now runs a small business selling the Jenerates sewing ruler and writes for a variety of magazines and blogs. A former solicitor, Jen reached the semi-final of The Great British Sewing Bee Series 5 (2019). In addition to sewing, she enjoys knitting, crochet and many other textile crafts, as well as silversmithing, photography and generally making things. You can follow Jen on Instagram and Facebook @jenerates, and at

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Nani Iro French Dart Hack | by Jen Hogg

PAID POST | This article was  written by Jen Hogg after I saw her French Dart Hack on Instagram. I have paid Jen for her time, skills and effort, but all opinions are her own. The Nani Iro fabric was originally gifted from Minerva Fabrics in exchange for a post on their new website.

Today, as part of our French Dart Week, I’m delighted to introduce Jen Hogg as guest writer.

Many of you will know Jen as a semi-finalist from The Great British Sewing Bee in 2019 and from the Jenerates Sewing Ruler (that we will be taking stock of in the coming days!).

When Jen’s glorious Nani Iro French Dart popped up on our Instagram the other day we just knew we should include it in our French Dart Week. As you all know I do love a bit of Nani Iro! Many of their fabrics feature a stunning border print and Jen hacked the pattern into panels so she could use the border imaginatively. As Jen explained “I love this pattern. It’s elegant to wear, and easy to split into parts to make use of odd pieces of fabric, different colours or because there’s a gorgeous border on your Nani Iro which you don’t just want to run round the bottom of the dress”.

So let me hand you over to Jen!

| Creating panels in The French Dart |

Version 1 | the toile

I really like this pattern. In fact I’ve made it 4 times, so far. The first was a toile to check my standard pattern adjustments for my broad back and square shoulders. It was in yellow gingham sold as cotton, and it worked really well, except that I don’t suit yellow. So I had the bright idea of dying it teal, thinking that I’d end up with a lovely teal / turquoise gingham. Only of course it wasn’t cotton after all, the dye didn’t take, and the whole thing ended up in recycling. Can you tell I’m still a little bit bitter?

Version 2 | needlecord, with in-seam pockets

But it did confirm that my adjustments were good so I quickly made another in needlecord. My only hack was to add in-seam pockets. The method I used is my absolute favourite, I’ve seen it called a couture method, and it’s how you add a pocket beside an invisible zip because the whole construction is on the front of the garment.

Click here for Jen’s Couture Pocket Tutorial.

Version 3 | Nani Iro, front panels with pockets

Next up, I had some lovely Nani Iro fabric from Minerva, in a black brush stroke with a wide silver border. The obvious thing to do would have been to use the border along the bottom of the dress, but it felt a wee bit formal for me, especially given that I was making it in lockdown when anything more than joggie bottoms feels formal.

I decided to divide the front of my French Dart into panels, and to use the border in different ways on each. This technique would also work really well for using up small pieces of fabric.

I wanted to keep the dart, because it’s so lush, and of course I wanted to add pockets. This time I thought I’d add them on the front of the dress, following the angle of the dart. I also decided to add quite a deep cuff to the pockets partly to add structure, but also to let me use the writing on the selvedge of the fabric.

Incidentally, this fabric is quite robust, allowing the pockets to keep their shape. If it was a softer fabric I’d have gone for in-seam pockets.

Drafting the front panels |

First of all, I traced my pattern piece and removed the seam allowances. By the way, the diagram is a rough sketch of the pattern piece – not to scale!

When you’re removing the seam allowance remember it varies, for example it’s narrower at the neck.

Next I divided the front into panels to suit my fabric. I decided to cut one piece above the bust, and to divide the lower part of the dress into three: one at each side and one in the centre. The side panels are wide enough to accommodate the whole of the dart, and also to add a decent sized pocket.

(left illustration) | The panels were only drawn in at this stage, I wanted to make sure I was happy with the look of the finished front before I started cutting the paper up.

(right illustration) | Here’s the line of the pocket top. It’s parallel to the line of the dart once it’s sewn closed – to check that I literally closed the dart of the paper pattern.


Once I was happy with the proportions I cut the pattern up into the 4 panels, then retraced them to add the seam allowances back on.

Here are the panels separated. The neck and centre panels are going to be cut on the fold. (And yes, my cutting boards might be called well-used).

Adding in the pockets |

Now I worked entirely on the two parts of the side panel.

First up, I added a pocket bag to the top part, which will form the back of the pocket. I made it long enough that I could reach the bottom of the pocket without stretching.

I then used that added-on section to draft the front pocket bag, shown here in yellow. I could have used the bottom panel itself to create the front, but I didn’t want to see the pocket bag stitching on the front of the dress so I decided to create it as a separate piece.

Here it is in real life with the seam allowances added back on.

Adding the pocket cuff |

These photos show the finished pocket, from outside the dress and inside. I used a scrap of Liberty lawn cotton for the front pocket bag.


  • The way I added the cuff was the same way I usually add bias binding:-
  • Interface the cuff
  • Press the cuff in half and then press up the seam allowance on the front of the cuff
  • Pin the front pocket bag and the bottom panel with the right sides facing out (ie wrong sides together)
  • Lay the pocket bag / bottom panel so that the pocket bag is facing up. Line up the cuff with the pocket bag, right sides together. So now you have a sandwich: cuff – pocket bag – bottom panel.
  • Stitch through all three layers along the length of the pocket opening
  • Fold the cuff over to the front of the garment. This is where you’re glad you already pressed up that seam allowance – all you need to do is topstitch the cuff to the bottom panel.

Incidentally I didn’t bother cutting the cuff piece into the shape in the diagram. Instead I cut a piece of fabric longer than I needed, on the straight grain, and trimmed it after I’d sewing it in place. This let me make last minute adjustments to fully use the piece with the writing on.

Re-assembling the front of the dress |

(left illustration) | So, that’s the front pocket bag and cuff attached to the bottom panel. Next I sewed the bottom of the two pocket bag pieces together (I used a French seam for neatness and security). Then I added a line of stitching within the seam allowances at either side of the panel to keep everything in place.

(right illustration) | And that’s the side panel reconstructed. All that’s left to do is to stitch the side panels to the centre panel, and then all three to the neck panel. The front is then fully put back together, complete with pockets, and the dress can be finished off per the pattern instructions.

Version 4 | Cashmere top

I’ve also made the French Dart as a top, simply by chopping the pattern at hip height. Literally no other changes were required. This one is also made from cashmere surplus. I know, lucky!

I’ve not finished with this pattern. I have some lovely stretch wool, in a delicious shade of red, so I’m thinking a winter dress. I might alter the sleeves on that so they’re straight rather than gathered at the cuff, because I think the fabric will be too chunky to take the gather. I also think the pattern will look great in linen with short sleeves for the summer. Watch this space on Instagram!

Thank you Jen! We have Part 2 of Jen’s tutorial tomorrow, where you can see how she has used her panelled hack to create a patchwork French Dart to make the most of small pieces of cloth. Waste not, want not!

All photos by Jen Hogg 


We would love to see your French Darts! Old or new, share (or re-share!) them with us on Instagram Remember to tag us @MavenPatterns #FrenchDartMaven

Jen Hogg lives in Glasgow with her husband and dog, and has two children at university. She now runs a small business selling the Jenerates sewing ruler and writes for a variety of magazines and blogs. A former solicitor, Jen reached the semi-final of The Great British Sewing Bee Series 5 (2019). In addition to sewing, she enjoys knitting, crochet and many other textile crafts, as well as silversmithing, photography and generally making things. You can follow Jen on Instagram and Facebook @jenerates, and at

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The Wendy Smock | the frilled dress hack

WENDY SMOCK HACK | I did a little hacking of our Wendy Smock pattern and, if I do say so myself, made a rather splendid dress! 

This was actually a salvage job from a previously failed hack and that poor thing has lain, neglected, in the pile of doom all lockdown. But then the sun came out and the UK got hot. And nothing fits anymore (I’m talking body and mood, here! hello menopause, lockdown and well…cake and beer) so I needed a new plan. And voila…she’s now a cool frilled hem dress that’s perfect for the heat!

There’s no actual tutorial just these ramblings…it really is just a case of making our Wendy pattern longer and attaching a frill, but check out our French Dart Frill Sleeve Hack tutorial if you are looking for a little more in the way of detail – it’s exactly the same process just on a different scale.

You’ll need to make a few decisions |

  • how long you’d like your dress
  • how deep you’d like your frill
  • how full you’ll like your frill
  • I’ve included my measurements as a guide but I’m only 5’2″ so bear that in mind. This dress finishes about 5″ above my ankles so adjust to your height/needs/desires! 


First up: lengthen the bodice pattern.

  • overall length – frill depth = amount to add + seam allowances

I added about 5cm extra to the length of the bodice patterns and added 1cm SA to attach the frill. Please remember I am short! And keep in mind we are still going to add more length with the frill. Don’t over-complicate this bit, I literally just extended the side seams and added on the extra length. Do take the time to check your side seams are the same length and that they will create a smooth hemline when you join them.

FRILL | I didn’t actually make a pattern I just chalked it straight on my fabric as the frill is just made up of 2 rectangles, one for the front one for the back.

DEPTH | You’ll need to decide how deep and how full you would like your frill to be.

I made my frill to finish 33cm deep and added 1cm SA to attach to the body and 2cm hem allowance so I could turn it twice and have a cleanly finished hem, so I cut the rectangle 36cm deep.

WIDTH | The width of your pattern will dictate how gathered your frill is. I decided on a gathering ratio of 2:1. That just means whatever the hem width of the front or back panel is, I doubled it for the frill width. My front had a hem width of 65cm; 65cm x 2 = 130cm + 1cm each end for the seam allowance = my rectangle was cut 132cm wide.

You can change the ratio to suit you and your fabric, a bit more or a bit less gathering to work with the amount of fabric you have will be fine! If you are short of fabric you can join several rectangles together to make your frill.  I just made the same size for the front and back panels as they weren’t very different in size and I was very short of fabric!

GRAINLINE | I cut the frill across the piece of fabric so it is on the same grain line as the bodice. If you have a plain fabric you can cut the frill with the longest length parallel to the selvedge, but be aware if you have a printed fabric it may look odd. 

CONSTRUCTION | remember to press everything as you sew.

It’s all very straight forward – make your Wendy as usual and when you get to the hemming stage, just stick a frill on the bottom!

  • Run gathering stitches across the top of each rectangle. I did 2 rows, but do 3 if you prefer, and I gathered each rectangle in 2 sections so I could gather half a rectangle at a time to make it more manageable. 
  • With right sides of the fabric together, join the frills at the side seam. Neaten and press seams open.
  • Hem the frill.
  • Attach frill to the body with a 1cm seam allowance. Neaten the seam together and press upwards away from the frill.
  • Waft around the house/park/shop at whatever is this week’s acceptably social distance.
  • If you need a little more frill info see our French Dart Frill Sleeve Hack tutorial as the method is the same.
  • I decided later to run my dress in a little at the sides and our High Neck Smock tutorial has instructions to help you!

The eagle-eyed amongst you may have spotted a couple of other differences. I used a wider elastic, 2.5cm wide, at the cuff and I can confirm it’s quite comfy! And the neckline of this Wendy is different too as I have elasticated her rather than finished with the usual binding. This was actually the first method I tried out for Wendy at the toile stage many moons ago before settling on the binding method, but I think that will need to be a whole different tutorial!