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The French Dart Week | inspiration

We are celebrating 5 glorious years of The French Dart this week!

Today, I’m going to share a bit of the inspiration behind the original French Dart, which was actually made about 4 or 5 years before I released her. Before she was even a twinkle in the eye of a pattern company!

 

 | One of the first French Darts! |

The beginning | I usually make with a purpose, so as with most things I make, it solved a problem. I needed a dress. More specifically I need a very tidy dress/outfit as I was working in a bridal shop, which involved spending a large part of my day on the floor fluffing hems, trains and veils. The upside is I can now tie a very nice chocolate box bow. 

Now, I am not know as a very tidy, formal, dressy person that you would expect to see in a bridal shop. And luckily for me they were a very relaxed shop, but there was a no denim policy. So that would be 90% of my wardrobe then. Hence, the dress dilemma.

So that was the actual inspiration…

  • a dress that could be worn to work that I wouldn’t really need to think about again
  • worn with leggings and boots (that shop was cold!)
  • I could move in it easily. 
  • And bend over in…without giving everyone in the shop an eyeful. 
  • And had pockets. 
  • Would be comfortable all day. 
  • Secret pyjamas for work before it was an Instagram hashtag. 

To design it I just worked backwards from what I needed it to do. 

And once you start combining that much need practicality of design with my influences – The French dart pretty much designed itself!

The first one was made in navy linen, and was worn until it could be worn no more (I love linen, but several years of wear frustratingly sent it into holes). This was replaced by a new navy linen a few years ago. Which will be replaced with another at some point I’m sure.

Influences | my design inspiration has always come from practicality. I like a design to function in everyday use. Something that you touch or use everyday shouldn’t be irritating; it should almost be unnoticed, wether that is your car, your fork or your dress.

Everything you experience becomes an influence. But a major one of mine is a lifetime of watching old films…I’d come home from school and my mum was watching the afternoon film – usually black and white, from the 60s, she favoured the British crime dramas and Ealing comedies. I was less fussy and pretty much watched anything – American or British 1940s – 1970s, no film is safe! The interiors were as inspiring as the clothes for me.  And just one more thing…should you find yourself at a loose end on a Sunday afternoon…I can confirm that Columbo is wardrobe gold.

So I naturally took a little inspiration from what I knew…Doris and Audrey…

Doris Day | Looking fabulous – images from Pillow Talk / Lover Come Back / Do Not Disturb

AUDREY HEPBURN | I admit to having a slight obsession with this jumper from Breakfast a Tiffany’s (1961). Givenchy is credited as principle wardrobe (not sure if that includes the jumper) with Edith Head as costume supervisor

And then we have this dress from How to Steal a Million (1966) again by Givenchy.

Ok, so there’s no actual reason for that hat and sunglasses to be here, just seemed rude not to include!

And now we have a little random assortment of inspiration from my Pinterest board (imaginatively entitled ‘Vintage’) that I have collected over the years. You can certainly see a theme had developed!

| #MAVENMAKERS |

We would love to see your French Darts! Old or new, share (or re-share!) them with us on Instagram Remember to tag us @MavenPatterns #FrenchDartMaven

 

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The French Dart Week | Welcome!

Hello to all of our dear Maven Makers!

This week we are celebrating 5 years of versatility and sustainability in the form of our French Dart Shift pattern. This week is also dedicated to helping our Maven Makers get even more from their French dart, so we will be sharing pattern tutorials, hacks, and of course your Maven Makes!
I have been wearing the French Dart Shift for about 10 years, a staple for everyday whether that’s office wear or lounging about in a lockdown. The French Dart is still as adaptable as ever so turn on post notifications to see how you can make the most out of your Maven pattern.

We’re looking forward to showing you all the exciting things you can do with the French Dart shift, featuring guest blog posts, new pattern hacks, giveaways and tutorials.

A guest post from Jen Hogg of @Jenerates with all the details of her marvellous Nani Iro panelled French Dart will be live on on the website tomorrow and we will be posting to Instagram everyday so you can keep up to date with all the details and inspiration there. There may even be a little giveaway at the end of the week! And look out for my post where I share my inspiration for the very first French Dart.

 

| #MAVENMAKERS |

We would love to see your French Darts! Old or new, share (or re-share!) them with us on Instagram Remember to tag us@MavenPatterns #FrenchDartMaven

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The French Dart Button Back Pattern Hack

The French Dart Button Back Pattern Hack

How to add buttons to the back of The French Dart Pattern

The French Dart Shift is possibly the most versatile pattern you will ever sew with and I this hack has become one of our most popular sewing and pattern hacks ever.

 

I originally made the Indigo Moon spot sample for The Festival of Quilts as I wanted to showcase the Corozo buttons that Mr.M had sourced. Corozo is a natural, sustainable product that works in harmony with the rainforests of Equador, and as it is an excellent alternative to plastic buttons so we felt it was an important message to share.

The sample and the buttons proved to be very popular and there were lots of requests for a tutorial on adding a button placket. The buttons and buttonholes are functional, but you don’t need to undo them to get the top on and off. I’ve added the buttons down the back of the garment, you could just as easily use these instructions and have them down the front instead. I’ve made this French Dart as a top but you could make a button through dress version, just be aware of how much ease you have in the hips and bum area – too little and your buttons and buttonholes may strain or pop open when you sit down! I made the top sleeveless – it was the height of summer here in England – you know that 3-day window where the sun shines consistently before normal British weather resumes when dressing involves sunglasses, factor 50, a cardigan and canoe, because who knows, but best be prepared?!  I made no alterations to the pattern to make it sleeveless, just left the sleeves off and bound the armholes.

HABERDASHERY for a top

For all sizes: 1.5m of 150cm wide fabric (you will have enough fabric to cut out short sleeves if you don’t want a sleeveless top).

Indigo sample: Indigo Moon Fabric, 7 Corozo buttons – 24 ligne (15mm) || white linen sample | the linen was found in Ikea bargain corner, 7 Agoya shell buttons in natural – 24 ligne (15mm)

TOOLS: French Dart pattern, paper, scissors, tape, buttons, lightweight interfacing, buttonhole foot, and the usual sewing stuff!

ABBREVIATIONS

CB: centre back | CF: centre front | WS: wrong side | WST: wrong side together | RST: right side together | RS: right side | SA: seam allowance

THE PATTERN

First, you’ll need to alter the pattern. As always when altering a pattern trace off a copy so your original stays intact (if you have the PDF version you can always print another). Copy the collar, back and front but don’t cut them out yet.

I left out the back darts to make it a slightly boxier shape.

Decide on your length. I made the CB finished length (the length when it’s all sewn up and not including any seam or hem allowance) 60 cm and added a hem allowance of 4cm (pattern length including hem and neck SA – 64.6cm). No need to overcomplicate this bit, I just measure up from the hem in several places and draw a new line before chopping off the length. The only things to be aware of are;

  1. make sure the new line intersects the CF and CB lines at right angles to stop weird pointy angles.
  2. make sure your side seams are the same length and run smoothly around the body, again to avoid weird pointy angles.

ADDING THE BUTTON PLACKET

Working on the BACK BODY of your copy pattern, mark the CB line in a red to make it clear (the original ‘cut to the fold line’ is the CB).

Draw a line 1.5cm away and parallel to the CB line, creating a button placket. This will be the folded edge.

Draw another line 4.5cm away and parallel to the fold line, this makes the back facing.

*I used 15mm buttons. If you are using bigger/smaller buttons you can adjust the width of the placket and facing to accommodate your buttons and buttonholes.

When the facing folds back into place it should be the same shape at the neck and the hem as the main body. Fold the facing along the fold line so it sits in place, pin to hold and cut through both layers of paper. Make sure the neck and hem intersect the fold and CB at right angles. When you unfold the facing it will be exactly the same shape as the body. Make a notch in your pattern on the fold line at the neck and hem.

Fold up the hem in the same way before cutting out to make sure it is the same shape as the body when folded into place.

COLLAR

As we have extended the CB by adding 1.5cm for the placket, we need to add the same amount to EACH end of the collar so it still fits. (Don’t worry about the seam allowances as they are already on the pattern, just add the 1.5cm.) Remark your notches.

INTERFACING

Cut a strip 5cm wide and the length of your CB pattern and press onto the WS of the facing. By making the interfacing slightly wider than the facing and you’ll be able to press a nice sharp fold in your fabric.

CUT AND MAKE

Make your French dart according to the instructions.

  • Stay tape the neck – for the back neck use half the given measurement and add 1.5cm, or finish the tape at CB if you forget as I did 😉
  • Close and neaten French darts, shoulder and side seams. Leave out the back darts for a boxier shape top.

COLLAR

Press 1cm SA on the long edge to WS (STEP 14 in the instruction booklet) and pin in place.

Mark the midpoint between the SA notches.

Keep the 1cm SA pinned in place and fold collar RST in half at the midpoint, align the SA notches.

Close CB collar seam with 1cm SA, keeping 1cm SA folded in place and 6mm SA hanging free below.

Trim top corner to reduce bulk.

Turn through to RS and press seam so as not to roll to either front or back but to sit right on the edge.

FACING

If you haven’t already, apply your interfacing to the facing.

Neaten (overlock or zigzag) the edge of the facing. Press facing to WS and pin to hold at the neck edge.

ATTACH COLLAR

Place collar RST with body aligning the 6mm SA edge with neck edge. We are just attaching a single layer so keep the other side of collar free. Align notches and place the back seam of collar flush with the folded edge of the facing (you don’t want a step!). Stitch collar to the neckline with 6mm SA.

Trim corner of SA to prevent bulk.

On the WS of garment bring the free edge of the collar to the neckline to cover the stitching by 3mm and enclosing all the SA. Tack and then stitch in the ditch from the RS to finish. This is the same as our usual method of attaching the collar – we are just enclosing an end.

HEM

I allowed a 4cm hem allowance. I pressed it to WS by 4cm and then pressed the top raw edge under by 1cm and topstitching it at just under 3cm making it a clean-finished hem.

TOP TIP – Make sure your backs are EXACTLY the same length now before you make the buttonholes.

BUTTONS & BUTTONHOLES

I’ll only briefly explain how I mark my buttons and buttonholes because that could be a whole post by itself!

I always mark my button positions first (on the side of the garment to be buttonholed) and then mark my buttonholes around them to get the correct spacing. My first button was 1cm below the neck seam (my buttonhole foot wouldn’t sit any closer to the seam) and I had an 8cm spacing between each button.

I did my top buttonhole horizontally and started it 3mm to the right of the CB seam to allow the button enough space to sit on the CB.

The other buttons were all vertical and positioned centrally to the button positions on the CB line.

Once the buttonholes are made and cut, I pin the back bodies WST and push a pin through each buttonhole and mark a dot on the other side to show where to sew each button.

And there you have it, yet another garment from the French Dart Pattern!

More to Sew …


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The French Dart | new workshop

| French Dart shift Workshop |

Come and join us for a fun day at our dressmaking workshop.

It’s a great chance to meet other makers as well as learning sewing techniques and skills.

Bring along your French Dart Shift pattern or purchase one from Sarah on the day with a 10% discount

  • DATE: 13th July 2019
  • TIME: 10 – 4pm
  • PLACE: Poundbury, Dorchester
  • PRICE: £55  (please note: this does not include the pattern or fabric)
  • LEVEL: Advanced beginner

For full details and to book your place visit the Sewing Sanctuary website.