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The French Dart / Full Bust Adjustment (FBA)

What is a Full Bust Adjustment (FBA)?

Sewing patterns are generally (and there are exceptions) drafted to accommodate a B cup. All Maven Patterns are drafted with a B cup. Unfair I know, but unfortunately, it’s just not possible for us to produce a pattern that will keep all body shapes happy, as we are all unique and the variations are limitless!

So, great if you are a B cup, but not so much if you are bigger (or smaller). In which case you might need to do a Full Bust Adjustment – FBA (or a Small Bust Adjustment – SBA). An FBA is a pattern alteration that will put a little more room in the bust area to accommodate a fuller bust should you need it, and if we are going to go to the trouble of making our clothes, might as well make them fit as well as we can!

Can’t I just go up a size?

You can, but the pattern will then most likely be too big across your shoulders and your back. What you need is more width and length in your pattern at the right place – to go over and around a fuller cup. The idea of the FBA is to do this without messing about with your armhole and sleeve and keeping a great fit in the shoulder.

How do you know if you need a full bust adjustment?

Your toile may be gaping at the armhole, will have drag lines pointing to the bust, and probably looks a bit ‘strained’ over the bust, your boobage just looks a little squashed in there!

Small Bust Adjustment side note: A SBA is basically the same process, but involves overlapping the pattern to reduce instead of spreading the pattern to increase the bust cup size. If you need a Small Bust Adjustment, there will be too much fabric over the bust area, and your bodice will be too long at the centre front.

*EDITED TO ADD* While the tutorial is illustrated with diagrams for an FBA, I have added an illustration for an SBA at the end of the first section.

Abbreviations

FBA | full bust adjustment         SBA | small bust adjustment      CF | centre front          BP | bust point/apex

Equipment

  • Copy of pattern (or the ability to re-print)
  • Ruler
  • Pencil
  • Sticky tape
  • Tape measure
  • Paper scissors
  • Pattern paper

Which cup size are you?

Measure yourself while wearing the appropriate underwear. If you are going to wear a padded bra under your dress, go put one on first – it will make a difference to the fit.

Importantly, your cup size for a sewing pattern is not the same as your bra cup size. (I’m a B for a pattern, and wear a D bra)

  • Measure your HIGH bust across your back, under your armpits and above your bust.
  • Then measure your FULL bust, at the fullest part of your bust.
  • Note these measurements and the difference between them.
  • Difference of 1”  (2.5cm) = A cup (SBA)
  • Difference of 2″ (5cm) = B cup
  • Difference of  3” (7.5cm) = C cup (FBA)
  • Difference of 4” (10cm) = D cup  (FBA)
  • Difference of 5” (12.5cm) = DD cup (FBA)

Pick your size

If you are above a B cup you’ll probably need to do an FBA and should select your size by using your HIGH bust measurement in place of your FULL bust measurement.

This is the most common and popular method, by far, because it will give a better fit in the shoulders and neck area, then you just do a Full Bust Adjustment and alter for a fuller bust. If, on the size chart, you have a size 16 full bust, but a high bust measurement of a size 12, chances are the shoulders of a size 16 pattern will be completely out of proportion for you! You may still need to adjust or blend between sizes for hips and waist.

How much to add?

It’s a bit of chicken and egg situation. There is no one way to do this alteration (or any alteration). It can be a little test and see, and a lot of getting to know your OWN body and how you like a garment to fit on you. Take these measurements as a guide. If you start googling this, you’ll find a lot of different advice and it’s not that any of it will be wrong – just different ways work for different bodies, garments and preferences. You just have to start somewhere to find what works for you! You’ll need to toile and test and tweak your alteration, maybe more than once. A toile is going to be your best friend – the fabric doesn’t lie! Also, consider the look of the garment, a looser fitting garment might not need as much adding as a very fitted garment. Or you might just decide you want more/less ease and adjust your FBA accordingly.

I’ve got 2 options listed below: Either toile and slash open to give an idea, or a bit of Maths. It is very much trial and error the first couple of times until you know what works for you.TOILE: Make a quick toile (just the body, don’t bother with sleeves, collar etc). Try it on and mark your bust point. Cut a cross in the fabric at your Bust Point / Apex, let it spread open and then measure how much extra you need. For an SBA, instead of slashing, pin the excess out of the bust. 

I like this slash and spread and see what you need method. Pay attention to the neck and shoulders of your toile, and see if they fit or if a size smaller/bigger would look better on you.

MATHS OPTION: Take your FULL bust measurement and minus your HIGH bust measurement = TOTAL FBA amount to add. DIVIDE TOTAL by 2 = the actual amount to be added to the pattern (Remember when you are adjusting the pattern you are working with HALF a body front so you’ll need to divide the total amount of extra needed by 2 before adding to your pattern).

Find the Bust Point (also called the APEX) Find the Bust Point (also called the APEX) | The Bust Point (BP) or Apex is the most prominent point of your boob – usually the nipple. Bust darts point towards the BP but the dart tip is set back so not to create a pointy end. B cup patterns usually have the dart tip set back 1″ (2.5cm) from the BP, but you can adjust this to suit you.

  • Using a copy of your front pattern, mark the seam allowances so you know where the stitch line is. 
  • Draw a line through the centre of the bust dart, and extend it 1” (2.5cm) beyond the dart tip. That is the bust point (BP) of the pattern.

I’m inclined to say don’t worry too much about marking your own BP on the pattern yet because, as you can see from the picture above, the BP is going to move and drop anyway during your alteration. The FBA will make the dart drop around ¼” to ½” (6mm – 12mm) and if it’s too high we can adjust this later. If you are very low busted (the dart needs to be lower more than 1.5” / 3.8cm), you can lower the dart a little now, and then go back and get it perfect later. You’re going to need a toile to check the final position when you’ve completed the FBA. Draw the Lines |

  • LINE 1: Draw a line from the BUST POINT (BP) right down to the hem, parallel with the CENTRE FRONT LINE. Draw a line from the BP to a point about a ⅓ of the way along the armhole.
  • LINE 2: Draw a line through the centre of the dart to the BP.
  • LINE 3: Draw at a right angle from CF to intersect with LINE 1 (not crucial where).

Cut the Lines

  • Cut along LINE 1. Start at the hem and cut towards the armhole. Cut UP TO stitch line but NOT through it. Cut from OUTSIDE of the pattern up to the same point on the armhole stitch line, leaving a 3mm hinge of paper.
  • *If you hinge your armhole from the outside edge of the pattern instead of the stitch line, your armhole increases in length and then your sleeve won’t fit.
  •  Cut along LINE 2 through the centre of the bust dart towards the BP, leaving a hinge at BP.
  •  Mark sections A, B, C & D as in the diagram.

Slash & spread

Place some paper behind your pattern pieces. Draw a CF line on your paper (shown in red). Anchor down section A and D with tape or pins (bear in mind, D will have to move again), lining up the pattern CF with the one you just drew. Draw a couple of lines to show the amount being added (the orange lines), keep them parallel with CF.

Open LINE 1 out the amount you need to add for your FBA, pivoting the pattern from the hinges at the armhole and BP. Keep SECTION C parallel the with CF. Let front section slide upwards and allow the bust dart to open wider to keep pattern flat.

Note how the hem is staggered and CF is now too short. Tape section A, B & C down. 

Cut open line 3, no need to leave a hinge this time. Keep CF in line and slide section D down so the hem is level again and tape.

SBA – Slash & overlap

If you are doing an SBA you will be overlapping your pattern pieces rather than spreading them to decrease the width and length of the pattern piece.

Place some paper behind your pattern pieces. Draw a CF line on your paper (shown in red). Anchor down section A and D with tape or pins (bear in mind, D will have to move again), lining up the pattern CF with the one you just drew. Draw a line to show the amount being removed (the orange line), keep them parallel with CF.

Slide pattern piece C across to the orange line, pivoting the pattern from the hinges at the armhole and BP. Keep SECTION C parallel the with CF. Let front section slide upwards and allow the bust dart to close and become smaller to keep pattern flat.

Note how the hem is staggered and CF is now too long. Tape section A, B & C down. 

Cut open line 3, no need to leave a hinge this time. Keep CF in line and slide section D UP so the hem is level again and tape.

Redraw bust dart. Follow the original seam allowances and extend them to redraw the dart. Remember, the tip of a bust dart is usually 1” (2.5cm) from the BP, but this can change depending on you – it could be ½” (1.2cm) if you are small-busted and up to 3” (7.5cm) if you have a fuller bust.

A French Dart note. This french dart has a slight curve on the seam as your body is round and not straight! The bottom seam stretches slightly onto the top seam, to help with the fit.

Toile. Now do a quick toile to check your alteration and the position of the bust dart in relation to your BP/apex. The most likely alteration now is you need to lower the dart or change the length. You can pin the paper pattern together and try it on to check the dart position first but keep in mind paper doesn’t behave the same as fabric and bust darts tend to drop a little more once they are in cloth. Not sure how to alter the dart?… The Lower a Bust Dart Tutorial will help with that!

The ‘Y’ Bust Dart Alteration

If you are adding more than 1.5” to half your pattern (3” TOTAL) this will help spread the joy. It helps because the bust dart doesn’t get as large, the disadvantage is that it does add more fullness above the chest, which won’t work for everyone. But the alternative leaves you with a very large bust dart and an extremely severe shape to your armhole, you can see a comparison of the methods at the end of the tutorial. The bonus is you can start to do the above FBA and then change your mind and do this one instead. Again toile to test for your body shape! Draw and Cut the Lines |

The method is exactly the same as before, but we draw one extra line (LINE 4) going from the BP up to hinge at the centre of the shoulder seam.

Cut along LINE 4 leaving a hinge at the shoulder seam, creating a new section called A2.

Draw the (orange) parallel lines in again the amount you need to add to your pattern (I’ve done 2″/5cm) and draw a line at half the amount too.

Place some paper behind your pattern piece. Anchor down section A with tape or pins. Pivot section A2 from the shoulder hinge and spread open half the amount you need to add. Tape A2 to hold. Keep LINE 1 parallel with each other and the CF, slide SECTIONS B & C, pivoting at the hinges, outwards and upwards to add in the full FBA amount, allowing the bust dart to open wider to keep pattern flat. Tape in place. 

Cut LINE 3 and slide SECTION D downward so the hem is level again. 

Tape everything down and redraw the bust dart and shoulder seam and smooth the armhole curve.

Toile to check your alteration and lower the dart or move the dart tip if necessary (How Lower a Bust Dart Tutorial)

Comparing the ‘Y’ Bust alteration|

For this example, I’ve added an extra 2″ (4″ total). You will get a slightly different result with each differing amount added.

On the left is with the ‘Y’ dart and on the right is without. You can see how large the bust dart on the right has become without using the ‘Y’ dart method – potentially that could be one pointy dart. But the real worry is that armhole shape, it’s just too severe to be a happy bunny later. Again take the time to toile and see what works for you, but I’m recommending giving the ‘Y’ dart method a try if you are adding over 1½” (3.8cm).

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The Maria Apron | How to Lengthen the Straps

This info actually appears in our How to Lengthen and Shorten a Pattern Tutorial, but I thought it might just be a bit easier if anyone was specifically looking for help in the apron straps department to give it its own little corner of the web.THE MARIA APRON_MAVEN PATTERNS

This is a great method to use if you need to alter the length of the apron straps of The Maria Apron sewing pattern.  It’ll show you how to lengthen the straps without touching the angled edge that attaches to your apron, so it still fits together! (And there is a cheeky pic at the end if you need to shorten a strap).

You may find you want to lengthen the apron straps if you have a bust that is bigger than a B cup (all Maven patterns are drafted for a B). Longer straps will give you a bit more room over the bosom and shoulders. The neckline of Maria is designed to sit quite high, a couple of ladies with a fuller bust have preferred the neckline to sit a little lower on them and chopping through the straps is an easy way to achieve that. Keep an eye on the underarm though, it’s quite a scooped shape, and make sure you are happy with where that is sitting on you. As always make a toile to see what works for you!2017 MAVEN PATTERNS - APRON STRAPS Tools |

  • Your pattern (or copy of your pattern if you don’t want to alter your original)
  • ruler
  • pencil
  • tape
  • paper

Alteration Basics |

  • If you are doing lots of alterations to your pattern, do any length adjustments first.
  • Keep the grainline IN A STRAIGHT LINE, do not allow to stagger.
  • The Chain Effect: when altering one pattern piece, also alter the corresponding pattern piece in the same way. Alter the TOP STRAP and then do exactly the same alteration to the UNDER strap. Check they still fit together after your alteration.

Adjustment line | Draw an adjustment line horizontally across your pattern at a right angle to the grainline. If you want to add a lot of extra length (more than 2.5cm /1″) divide the amount evenly between 2 lines.

Chop | Cut along the adjustment line(s) and separate the pattern piece.

Place a piece of paper behind your pattern and tape the top portion of your pattern to it.

Extend the grain line. Draw a line parallel to the your adjustment line the amount you need to lengthen the pattern by.Tape | Tape the lower portion of your pattern to the new line, matching up the grainline. Use a ruler and re-draw the seam lines so that they match up again.

Blend | You’ll notice you don’t have a smooth line at the edge of your pattern pieces, you’ll see that they stagger slightly. It’s quite usual after an alteration to need to blend the new lines together, adding a bit to one and taking a bit off the other.

Understrap | Now do exactly the same to the understrap so they will be the same length!

 

Shorten | Cut along the adjustment lines. Place a piece of paper behind your pattern and tape the top portion of your pattern to it. On your pattern, draw a line parallel to the adjustment line the amount the pattern is to be shortened. Overlapping your pattern pieces, tape the lower portion of the pattern to the new line, matching up the grainlines. Re-draw the the seam lines so they match up again, in the same way as lengthening a pattern.

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How to Sew a Curved Hem

The Maria Apron Hem Tutorial

I’m going to show you How to Sew a Curved Hem! This is a super easy way to get a professional finish on a double turned curved hem.

Close up of a finished curved hem. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

You can’t help notice the beautiful sweeping curve at the hem of The Maria Apron. Because it is such a feature that curve does need to look smooth and they do need they match each other too!

This is my favourite way to make light work of turning and stitching the hem. At the time of writing I was stitching 4 stripey aprons. I was doing this factory-production-style and I found this to be the easiest way to stitch a curved hem. It gives a consistent result, so all the curves are lovely and even!

Key :  WS: wrong side | S/A: seam allowance

The hem of The Maria Apron has a 1.5cm S/A that is double turned hem and footstitched. But you could do this little trick on any double turned curved hem.

Close up of striped fabric ready to be  hemmed. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

Ready to hem

So here is the back of the apron, the body has been stitched, pockets in place and facings attached. Just the hem to finish.

Close up of a curved hem with one row of stitching. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

Stitch

To help with double turning and pressing that hem, all we are going to do is add an extra row of stitching. Yep, that’s the tip – more stitching! But it does save a smidge of time as it’s a little easier to press the curve without having to constantly measure it. Start from under the back facing and machine a row of stitching 6mm from the raw edge all the way around the hem until you get to the other side. Finish underneath the facing again.

Close up of pressing a curved hem. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

Press

Press the raw edge of the hem to the WS using the stitch line as a guide. The stitch line should just be rolled to the WS as in the picture. It folds over very neatly and evenly without too much effort!

Close up of double turning and pressing a curved hem. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

Press again

Fold again and press so the raw edge is completely enclosed. The stitch line is now hidden.

Close up of a tacked curved hem. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

Tack 

Tack the hem close to the folded edge, making sure you keep the hem width even.

Close up of a finished curved hem. How to Sew a Curved Hem.The Maria Apron Hem Sewing Pattern Free sewing Tutorial- MAVEN PATTERNS-THE MARIA APRON

Topstitch 

Footstitch the hem. To do a footstitch, line up the foot of your sewing machine with the edge of your garment and topstitch. Make sure you catch all the allowance on the back. Give it a press and you’re finished!

You could use this on any double turned curve. My maths worked as follows 1.5cm S/A – 6mm for stitch line guide, x2 for double turn hem = 1.2cm + 3mm to allow for the turn of the cloth (allowance for the thickness of the folded edges). You can easily adjust accordingly for different hem allowances but bear in mind that curved hems don’t like a very deep S/A, and fine fabrics like chiffon won’t need an extra allowance for the turn of cloth.

How to Sew a Curved Hem

And there you have it! You now know How to Sew a Curved Hem for a beautifully finished Maria Apron!

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The Patch Pocket Tutorial

We had a couple of requests for a photo tutorial for the patch pockets on The Maria Apron. So here it is!

The same principles will apply to the pockets for our Wendy Smock Top too. Wendy just has a little gathering at the base of each pocket, do that first and then follow below!MAVEN PATTERNS_MARIA APRON MAVEN PATTERNS_PATCH POCKET TUTORIAL

 

 KEY | RS(U): right side of pocket (up) | WS(U): wrong side of pocket (up) | S/A: seam allowance

You’ll need your Pocket Bag Former pattern piece. To work this really needs to be in card (a cereal box will do the job perfectly). If you need help here’s my tutorial

MAVEN PATTERNS_PATCH POCKET TUTORIAL

We are going to start at the ironing board: Everything above FOLD 2 is actually the facing of the pocket (a grown-on facing). The corner of the pocket bag will be ‘bagged out’ with the grown on facing so the raw edges will be concealed inside of it. Don’t freak out at the term ‘bag(ged) out’ it just means sewing your fabric with right sides together and then turning through so the RS is facing to the outside and all the stitching and seam allowances are enclosed on the inside.

Make fold 1 | Start with the RS of the pocket bag facing downwards and press the top edge 1cm to the WS – use the notches as a guide.

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Make fold 2 | Still with RS facing down, at the next set of notches fold down again to the WS of the pocket and press in FOLD 2, creating the facing for the top of the pocket. Fold 2 is 2.3cm from FOLD 1. Why such a random number I hear thee ask? Because, a little later, we will topstitch 2cm down from the top edge of the pocket (this will stop the facing poking out during wear), which leaves a 3mm allowance to catch the stitching on. Clever stuff.

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Turn facing to RS | Turn the pocket bag over so RSU is facing you.

At FOLD 2, flip the facing over from the back of the pocket to the front, and pin through the facing and S/A.

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Stitch | At each pocket corner, take a 1cm S/A and stitch through the facing.

Trim each corner to reduce bulk and give a little press.

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Turn corner | Turn those corners out to the right side now. Poke out the corners gently so they are nice and square (I use my small scissors, but be careful!) and press again. There you go, a bagged out corner!

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Pressing the curve | Grab the pocket former and slide it underneath your pocket facing and then use it as a template to press a 1cm S/A around your pocket. Remove template.

Oh look, a delightfully smooth curve and 2 matching pockets. Hurrah! Now is a good time to check they are in fact the same size and shape. They are? Jolly good – on we go.

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Topstitch and pocket placement | Topstitch across the top of the pockets 2cm down from the top edge to hold the facing in place.

Pin the pocket on your apron. Remember the pocket marker dots sit 5mm INSIDE the finished pocket edge (an industry trick so the marks don’t show on the finished garment).

TIP | You can use a fabric marker pen or chalk to mark a line 5mm above the dots which is where the top edge of your patch pocket sits and mark a line 5mm on the outside of the dots for the outside edge of the pockets. Check you are happy with the position of the pockets and then tack them in place.

MAVEN PATTERNS_PATCH POCKET TUTORIAL

Stitch into place | The pockets will be edgestitched onto your garment, but as this is a functional garment that will hopefully get a lot of wear, the pockets will benefit from a little reinforcement. This should help to give many years of joy and use from your apron.

Reinforce corners with a triangle | Start at point 1, stitch up to point 2, pivot your garment 90º and stitch across 3 stitches to point 3 (doesn’t matter how many stitches, but keep them the same number on all of your corners). Pivot again and stitch back to point 1 completing the reinforcement triangle. Then just continue to edgestitch the pocket bag all the way around and finish with a triangle again on the other side.

Voila! You’ve mastered the art of the patch pocket.

Get creative | Don’t forget you can have some fun with your patch pockets to make the most of your fabric’s design. Stripes can run in different directions – a good plan if you don’t want to match them to the apron body but don’t want to look like you didn’t think about it. That’s why ready-to-wear check shirts usually have pockets cut on the bias – it avoids stripe matching. Or you could pick a favourite part of a print and give it pride of place on your pocket. If you do get creative, remember that patterns or stripes on pockets are usually cut to pair each other!

MAVEN PATTERNS_PATCH POCKET TUTORIAL